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Intrigue

Intrigue

Representation Score

1.4/10

Minimal

1947

NR

Director

Edwin L. Marin

Runtime

90 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Intrigue is a quintessential 1940s crime drama that adheres strictly to the social and narrative conventions of its era. The film relies on established genre clichés, such as the femme fatale and the moral redemption of the male protagonist, to drive its plot. While the international setting of Shanghai suggests a potential for diverse perspectives, the story remains centered on Western characters. The narrative's resolution reinforces traditionalist views on law and order rather than challenging existing social structures. Ultimately, the film functions as a conventional genre piece that prioritizes moral stability and traditional archetypes over diverse representation.

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Category Breakdown

Does Intrigue have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or stories. It follows a typical mid-century crime structure focused on heterosexual relationships.

How does Intrigue portray gender?

Limited

Tamara Baranoff plays a classic femme fatale, providing significant plot involvement without challenging traditional gender roles. The male lead follows a traditional redemption arc emphasizing masculine responsibility.

How racially and ethnically diverse is Intrigue?

Limited

Set in postwar Shanghai, the focus remains on a Western cast. The setting serves as a stylistic backdrop without highlighting ethnic diversity.

How does Intrigue represent religion and culture?

Limited

The story critiques black market economics but ultimately emphasizes restoring social and legal order. This reinforces traditionalist values regarding institutional integrity.

Does Intrigue include disability representation?

Minimal

There are no characters with visible or invisible disabilities in this narrative.

Present on Screen

  • The film uses a compelling postwar Shanghai setting to create a gritty, atmospheric crime backdrop.
  • The narrative features a clear, high-stakes moral arc for the protagonist.

Limited or Absent

  • The film relies on outdated gender stereotypes, particularly the femme fatale cliché.
  • The international setting lacks meaningful representation of the local population.
  • The story lacks LGBTQ+ visibility and diverse character perspectives.

Official Synopsis

Dishonorably discharged from the Army Air Corps, Brad Dunham (George Raft) disconsolately decides to try his luck with Shanghai's postwar black market. Teaming with the treacherous Tamara Baranoff (June Havoc), Dunham prospers in his newly-found illicit profession, much to the dismay of his best friend, reporter Mark Andrews (Tom Tully). When Tamara has the troublesome Andrews murdered, Dunham realizes the folly of his behavior and works overtime to squash the black market for good and all.

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