
A Lost Woman
1976

Representation Score
Fair
1976
NRDirector
Jorge Bodanzky, Orlando Senna
Runtime
96 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Iracema is a compelling documentary that challenges conventional development narratives by centering the struggles of indigenous and underrepresented populations against state-sanctioned expansion in the Amazon. Its strength lies in its post-colonial critique of capitalist encroachment. However, the film's scope is limited in representing LGBTQ+ identities and addressing disability as primary narrative drivers.
Category Breakdown
The film focuses on socioeconomic and indigenous realities without featuring any LGBTQ+ characters or non-straight identities.
The film explores gender through a woman's journey from rural life to urban prostitution, highlighting economic necessity and systemic vulnerability rather than romanticized femininity.
The film excels in depicting indigenous populations and complex racial dynamics. It centers the lived realities and ability to act of indigenous communities facing external expansion using a post-colonial lens.
The film critiques capitalist expansion and Western consumerism, framing forest fires and labor exploitation as systemic failures driven by state-led modernization.
The film documents various social tragedies and the exploitation of vulnerable populations but does not focus on visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A girl from the countryside goes to the city of Belém to take part in the Círio de Nazaré celebrations. Led to prostitution, she wishes to move to the wealthiest Southeast region of Brazil. In a dance club, she meets a truck driver that transports wood. Dreaming with the big city, she asks for a ride, and the two begin a journey through the Trans-Amazon road. In tension with the Brazilian military authorities of the time, the film registers several aspects of the Amazon social tragedy – forest fires, slave work and child prostitution. Awarded in several international festivals, the film was forbidden by Brazilian censors. It was only released years later, winning the Brasília Film Festival in 1981.

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