The film uses a minimalist visual language that avoids specific orientation identifiers. While no explicit non-cisnormative identities are shown, the abstract characters allow for non-heteronormative readings of connection.

Characters are stripped of biological or social markers to avoid traditional hierarchies. This use of non-specific silhouettes presents characters as vessels for experience rather than gendered archetypes.

An abstract animation style removes racial and ethnic identifiers from the frame. This approach avoids stereotyping but also lacks the intentional inclusion of diverse ethnic identities.

The narrative operates within a secular, observational framework. It avoids traditional Western institutions like religion or rigid family structures, focusing instead on isolated, surreal encounters.

There are no explicit depictions of physical or neurodivergent disabilities. Stylized movements may mimic non-normative physicalities, but these appear to be aesthetic choices rather than intentional representation.