The film lacks explicit LGBTQ+ characters or narratives addressing non-cisnormative identities. The plot centers on the romantic and empathetic connections between the male protagonists and female victims.

Women serve as the primary catalysts for the protagonists' moral evolution. While Mercedes and La Mendocina drive the plot's redirection, the film still operates within a traditional romantic framework.

The narrative focuses heavily on class and political power dynamics. There is little specific information regarding the racial composition of the cast or ethnic diversity in 1930s Argentina.

The story critiques institutionalized corruption by framing the political boss as a predatory antagonist. The protagonists' shift in allegiance represents a rejection of oppressive, established political structures.

There is no mention of characters with visible or invisible disabilities within the narrative.