
All Sons of the Saintest Mother
1973

Representation Score
Fair
1981
Director
Hugo Sofovich
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Las mujeres son cosa de guapos is a period crime-comedy centered on a redemption arc. The film stands out by subverting the 'tough guy' stereotype, shifting protagonists from enforcers of a corrupt system to individuals driven by empathy for the underrepresented. However, the film falls short in representing LGBTQ+ identities, characters with disabilities, and the racial diversity of 1930s Argentina.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or stories about non-straight identities. The plot revolves around the romantic and empathetic connections between the male characters and the female victims.
Women play crucial roles in driving the protagonists' moral development. Characters like Mercedes and La Mendocina steer the plot towards a more empathetic direction, while the film maintains a traditional romantic structure.
The story focuses mainly on class and political power struggles. There is little specific information about the racial makeup of the cast or ethnic diversity in 1930s Argentina.
The story criticizes institutional corruption by portraying the political boss as a predatory antagonist. The protagonists' change in allegiance represents a rejection of oppressive political structures.
There is no mention of characters with visible or invisible disabilities within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
In 1930s Argentina, dim-witted Rufino and Jacinto are hired as tough guys ("guapos") by political boss Malatesta to intimidate his opponents, rig elections, etc. However, the two men change allegiances when they meet the lovely Mercedes and La Mendocina, victims of Malatesta and his gang.

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