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The Jihadis Next Door

The Jihadis Next Door

2016

Director

Jamie Roberts

Runtime

47 minutes

Average Rating

No ratings yet

Synopsis

Over the course of two years, filmmaker Jamie Roberts meets those spreading extremist Islamic fundamentalism in Britain, including a bouncy castle salesman who is now one of the world's most wanted men.

Where to Watch

Diversity & Representation

Overall Score

3.5/10

Limited


Category Breakdown

LGBTQ+ Representation

Limited

The documentary focuses on Islamic fundamentalism and extremist movements. There are no queer narratives or LGBTQ+ characters present in the film.

Gender Representation

Fair

The narrative centers on extremist male figures, suggesting a preoccupation with patriarchal structures. Women do not appear to demonstrate agency or subvert traditional hierarchies.

Racial & Ethnic Diversity

Fair

The film engages with ethnic diversity by documenting individuals within the British Muslim community. However, it lacks intersectional depth beyond the lens of radicalization.

Religious & Cultural Diversity

Limited

The film functions as a critique of non-Western religious fundamentalism. It highlights the friction between extremist ideologies and the existing social order.

Disability Representation

Minimal

There is no mention of subjects or characters with visible or invisible disabilities within the film's subject matter.

Strengths

  • Engages directly with ethnic and religious diversity by documenting lives within the British Muslim community.

Areas for Improvement

  • Lacks representation for LGBTQ+ individuals and queer narratives.
  • Provides little evidence of female agency or the subversion of gender hierarchies.
  • Fails to offer intersectional depth beyond the primary focus on radicalization.

AI Analysis

The film operates as an investigative documentary focused on the social volatility of religious extremism. Its narrative architecture is driven by journalistic scrutiny of radicalization rather than the subversion of social hierarchies or the celebration of identity politics. Because the subject matter is centered on specific extremist male figures and religious fundamentalism, the film lacks representation for LGBTQ+ individuals and women with agency. The focus remains on the threat these groups pose to social cohesion. While the documentary inherently includes non-Anglo-Saxon identities through its study of the British Muslim community, it does not provide deep intersectional exploration. It serves as a study of social friction rather than a vehicle for progressive social reconfiguration.

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