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Estoy en crisis

Name: Estoy en crisis
Director: Fernando Colomo
Released: 1982
Duration: 90 min

Representation Score

4.3/10

Fair

1982

Director

Fernando Colomo

Runtime

90 minutes

Average Rating

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New Showbiz Analysis

The film breaks down the 'stable provider' masculine stereotype. It offers a progressive critique of capitalism and rejects rigid old-world morals. However, it lacks LGBTQ+ and racial the way different parts of someone's identity overlap and focuses on a narrow demographic.

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Category Breakdown

Does Estoy en crisis have LGBTQ+ representation?

Limited

The film doesn't include any explicit LGBTQ+ characters or stories. It focuses on cheating in a traditional marriage.

How does Estoy en crisis portray gender?

Fair

Bernabe is shown as incompetent and shallow, making traditional masculine roles look silly. However, the ending suggests a return to traditional family life.

How racially and ethnically diverse is Estoy en crisis?

Limited

The film seems to focus on a homogeneous, urban middle-class Spanish cast. There is no indication of diverse racial casting or central characters from different backgrounds.

How does Estoy en crisis represent religion and culture?

Good

The plot criticizes capitalist expansion through environmental activism. It uses the protagonist's moral relativism to challenge traditional Western social structures and bourgeois norms.

Does Estoy en crisis include disability representation?

Minimal

There is no visible evidence of characters with physical or neurodivergent disabilities.

Present on Screen

Breaks down traditional masculine stereotypes by showing the male protagonist as incompetent and driven by superficiality.
Offers a strong critique of capitalist expansion and the negative impact of urban development.
Challenges traditional social norms by prioritizing individual desires over the sanctity of the family unit.

Limited or Absent

Doesn't include explicit LGBTQ+ representation or stories centered on non-assuming gender matches what was assigned at birth identities.
Lacks racial and ethnic diversity, focusing on a homogeneous middle-class cast.
The ending leans back towards conventional family appreciation, slightly reducing its subversion of patriarchal structures.

Official Synopsis

Bernabe (José Sacristán) works as an artistic director for a publicity firm but his avocation is fawning after his bosses, sleeping with whomever might advance his career, and ignoring his wife. Life continues on in this vein until he meets a young model whom he invites up to his boss's temporarily vacant country house, pretending the house belongs to him. Not very far away, bulldozers and other machinery are clearing the beautifully wooded area so construction can start on an amusement park. Little does Bernabe realize that his potential new conquest is a seriously fanatical environmental advocate, and she arrives at the house with friends, gets Bernabe high and "out of it," and then she and her friends proceed to trash the construction machinery. Once Bernabe comes around again, he finds out what has happened, loses heart for his planned sexual escapade, and begins to appreciate his wife for the first time.

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