
Kamen Rider × Super Sentai: Ultra Super Hero Wars
2017

2012
TV-PGDirector
Osamu Kaneda
Runtime
89 minutes
Average Rating
No ratings yetSynopsis
The Kamen Rider Club discovers that the Dai-Zangyack fleet is moving towards Earth, led by Captain Marvelous as their Great Emperor. With many revived Super Sentai villains under his command, Captain Marvelous plans to obtain the Great Power of the Kamen Riders which is said to be "Ultimate Treasure in the Universe". Meanwhile, Tsukasa Kadoya becomes the Great Leader of Dai-Shocker once again and recruits past enemies of the Kamen Riders to take down the Super Sentai teams.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a conventional hero versus villain framework. There is no visible engagement with queer identity, same-sex intimacy, or non-cisnormative gender identities.
Gender Representation
Female heroes are present in combat roles within various Super Sentai teams. However, the film reinforces established genre hierarchies rather than subverting traditional gender roles.
Racial & Ethnic Diversity
The cast is largely homogeneous, reflecting the specific Japanese cultural context of the franchise. The narrative does not engage with themes of racial blending or ethnic metaphors.
Religious & Cultural Diversity
The story operates on a traditional moral binary of good versus evil. It avoids postmodern moral relativism, focusing instead on justice through heroic intervention.
Disability Representation
Characters are defined by physical prowess and combat capabilities. There is no discernible focus on visible or invisible disabilities within the narrative.
Strengths
Areas for Improvement
AI Analysis
This crossover event prioritizes franchise continuity and high-octane action over social commentary. It functions as a celebration of established hero archetypes, leaning heavily into traditional Tokusatsu tropes. While the ensemble includes female warriors, the film maintains standard genre hierarchies. The narrative structure is built on a clear moral dichotomy that lacks interest in deconstructing social norms or intersectional identities. Ultimately, the production serves its core audience by reinforcing the legacies of Kamen Rider and Super Sentai. It does not attempt to use its platform for socio-political subversion or the exploration of diverse lived experiences.

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