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King of Crime

King of Crime

2018

Director

Matt Gambell

Runtime

102 minutes

Average Rating

No ratings yet

Synopsis

Marcus King, an old school gangster, a crime lord, has left behind old school crime. He has manoeuvred his business into the leafy lanes of the suburbs and now, in place of pimps and dealers, his team consists of the best graduate geeks that money can bribe. No brothels, no casinos and no drugs - he's dragged serious, organised crime well and truly into the twenty-first century. From credit card cloning and skimming to Internet spamming and scamming, he is the king of Cyber Land.

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Diversity & Representation

Overall Score

3.6/10

Limited


Category Breakdown

LGBTQ+ Representation

Minimal

The film offers no explicit evidence of LGBTQ+ characters or non-cisnormative identities. The narrative focus remains centered on the evolution of criminal methodology.

Gender Representation

Fair

The story moves away from hyper-masculine physical tropes by replacing traditional muscle with intellectual geeks. However, it is unclear if this shift subverts gendered leadership roles.

Racial & Ethnic Diversity

Limited

The narrative prioritizes class and educational status over racial identity. While the digital setting implies a globalized landscape, there is no evidence of high-agency characters of color.

Religious & Cultural Diversity

Good

The film deconstructs traditional institutions by framing old-school crime as obsolete. It portrays crime as a sophisticated, intellectualized pursuit, suggesting a degree of moral relativism.

Disability Representation

Minimal

There is no information regarding the inclusion of neurodivergent characters or individuals with physical disabilities. The mention of geeks remains speculative regarding neurodiversity.

Strengths

  • Disrupts traditional hyper-masculine crime tropes by prioritizing intellect over physical dominance.
  • Offers a sophisticated deconstruction of old-school criminal hierarchies through a postmodern lens.
  • Explores the evolution of power within a modernized, technocratic digital landscape.

Areas for Improvement

  • Lacks explicit representation of LGBTQ+ identities or non-cisnormative characters.
  • Provides no verifiable evidence of racial diversity or high-agency characters of color.
  • Fails to include characters representing physical disabilities or confirmed neurodivergent traits.

AI Analysis

King of Crime distinguishes itself by replacing the physical brutality of traditional gangster archetypes with a modernized, technocratic framework. The shift from street-level dealers to highly educated specialists disrupts the conventional expectation of the criminal underworld. While the film offers a sophisticated critique of power structures, it lacks verifiable demographic diversity. The narrative focuses on intellectual agency and systemic exploitation rather than explicit representation of marginalized identities. Ultimately, the work provides a narrow but interesting lens on cultural subversion through the lens of digital-age criminality.

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