The film maintains a strictly heteronormative structure. There is no visible presence of non-cisnormative identities or narratives that challenge traditional gender orientations.

The plot centers almost exclusively on male agency and tactical maneuvers. Women are relegated to secondary or domestic roles, lacking the power to disrupt the central heist dynamics.

The cast is culturally homogeneous, reflecting the film's 1980s Indian setting. Diversity is expressed through socioeconomic class distinctions rather than ethnic or racial intersectionality.

The story focuses on the internal mechanics of Indian bureaucracy and the tension of authority. It avoids systemic critiques of the state or Western institutions.

There is no discernible representation of physical, sensory, or neurodivergent disabilities. Characters are defined by the physical competence required for the heist genre.