
The Last Pig
2016

2019
Director
Alain Raoust
Runtime
92 minutes
Average Rating
No ratings yetSynopsis
Salome gets a summer job in a junkyard somewhere in the country side. Under a western sun, in this place out of the world, her teenage rebellion springs up. From unexpected encounters to shared sorrows, arise promises of a new life.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film explores themes of teenage rebellion and unexpected encounters within a junkyard setting. While these tropes often allow for queer exploration, there is no explicit confirmation of LGBTQ+ characters or critiques of heteronormativity.
Gender Representation
Salome serves as a central female protagonist navigating autonomy and rebellion. This focus suggests a departure from submissive archetypes, though the film's impact on broader gender hierarchies remains unverified.
Racial & Ethnic Diversity
The countryside setting under a western sun implies a potentially homogeneous environment. There is no evidence of diverse casting or intentional efforts to challenge racial norms through the narrative.
Religious & Cultural Diversity
The junkyard setting acts as a metaphor for non-traditional lifestyles and personal evolution. The story emphasizes moving away from social constraints, though it lacks a formal critique of Western institutions.
Disability Representation
The film provides no information regarding the portrayal of physical, sensory, or neurodivergent characters.
Strengths
Areas for Improvement
AI Analysis
As Happy As Possible is a character-driven coming-of-age drama that prioritizes individual emotional journeys. It finds strength in its focus on female agency through the protagonist, Salome, and uses its unique setting to suggest a subversion of traditional societal roles. However, the film lacks verifiable evidence of intersectional identity markers. The narrative appears localized, focusing on regional character studies rather than systemic or global critiques of race, religion, or sexuality. Ultimately, while the film shows potential for progressive storytelling through its themes of rebellion and new beginnings, it remains a narrow study of personal transition rather than a broad socio-political deconstruction.

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