
Rewind
2019

Representation Score
Fair
2010
Director
Michael Stock
Runtime
86 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Postcard to Daddy is a deeply personal documentary that focuses on psychological trauma rather than a broad social survey. It challenges traditional Western familial hierarchies and moral absolutes. However, the film lacks diversity in terms of race, ethnicity, and LGBTQ+ identities. Its scope is limited to the filmmaker's specific context.
Category Breakdown
The film centers on interpersonal trauma within a family that assumes everyone is straight or cisgender. It does not include any characters or stories that explore LGBTQ+ identities.
The movie challenges the traditional idea of a powerful father figure by showing how his leadership can lead to instability. It highlights the father's role as a source of problems rather than stability.
The documentary focuses on a British setting with a predominantly white cast. It does not feature any actors or characters from diverse racial backgrounds.
The film questions the traditional concept of the nuclear family and Western morality. It emphasizes subjective understanding and reconciliation over strict moral judgments.
The film does not feature any characters with visible disabilities but delves into the psychological trauma stemming from abuse. Mental health issues are central to the story.
Present on Screen
Limited or Absent
Official Synopsis
As a child, Michael Stock was sexually abused - by his own father. 25 years later he is still looking for inner peace. In conversations with his family and friends and his own reflections, he paints an ever clearer, if contradictory picture of what happened and of the consequences for each of the family members. Old family films seem to show a happy family - excerpts from Michael's first feature film hint at his extreme adult life, overshadowed by his lifelong trauma. Yet in spite of the intense drama, the film doesn't have an atmosphere of anger and hatred but rather a surprising air of hope and love of life. Michael's aim is not to accuse the "perpetrator" but to understand. In the end, he takes his video "Postcard" to his father. With the camera running, he confronts him with his past.

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