
Bedevilled
1955

Representation Score
Minimal
1956
Director
Pierre Chenal
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Pierre Chenal’s thriller is a product of its time, relying on mid-century genre conventions. The story uses established social hierarchies and traditional character roles to create psychological tension. The film lacks depth in exploring multiple aspects of identity, focusing instead on a narrow domestic conflict. It adheres to the social norms typical of 1950s European cinema, offering limited subversion of the status quo. Ultimately, the work functions as a conventional noir piece, prioritizing individual morality and romantic jealousy over broader cultural or identity-based themes.
Category Breakdown
The story revolves around a traditional love triangle and does not include characters with non-conforming gender identities or stories that question the assumption that everyone is straight.
Female characters are portrayed through traditional stereotypes of jealousy and passion, reinforcing rather than challenging gender roles common in 1950s crime thrillers.
The film reflects the homogeneous society of 1950s French cinema, with no attempts to cast actors from diverse backgrounds or change traditional casting norms.
The plot focuses on class struggles and individual crimes within a framework of traditional morality, avoiding any critique of Western societal institutions.
There are no characters with visible or invisible disabilities in the story.
Present on Screen
Limited or Absent
Official Synopsis
The love affair of an ex-convict with a showgirl, unleashes the jealousy of his older, wealthy and unbalanced wife. A murder plot, staged phoney suicide and other twists and turns follow.

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