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Django the Bastard

Name: Django the Bastard
Director: Sergio Garrone
Released: 1969
Duration: 99 min

Representation Score

1.3/10

Minimal

1969

Director

Sergio Garrone

Runtime

99 minutes

Average Rating

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New Showbiz Analysis

Django the Bastard is a nihilistic Western that upholds the traditional social structures of the 1960s. It emphasizes survival and situational ethics over rigid moral codes. While the film critiques formal authority, it does so through genre conventions rather than a direct critique of systemic issues. Ultimately, the film adheres to the cinematic norms of its era, featuring a predominantly male and white cast.

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Category Breakdown

Does Django the Bastard have LGBTQ+ representation?

Minimal

The film does not depict any LGBTQ+ identities or same-sex relationships. Character interactions follow a traditional heterosexual norm.

How does Django the Bastard portray gender?

Limited

The story focuses on male characters who embody violence and survival. Women have minor roles and play a limited part in the plot.

How racially and ethnically diverse is Django the Bastard?

Limited

The cast is mainly composed of white actors, fitting the genre standards of the time. There is no indication of diverse casting practices.

How does Django the Bastard represent religion and culture?

Fair

The film explores moral ambiguity, challenging traditional good-versus-evil narratives. It portrays a world where justice emerges from personal skill rather than official laws.

Does Django the Bastard include disability representation?

Minimal

There are no significant portrayals of physical or cognitive disabilities. Characters are characterized by their physical strength and violent tendencies.

Present on Screen

The film challenges the 'righteous hero' cliché by shifting from moral absolutism to situational ethics.
It questions formal authority by showing a world where justice depends on personal competence.

Limited or Absent

The film lacks meaningful representation of various multi-layered identities, such as LGBTQ+ and disability.
Women have minor roles and serve as peripheral figures in a highly masculine narrative.
The cast lacks racial diversity, sticking to the predominantly white conventions of the Spaghetti Western genre.

Official Synopsis

A Confederate soldier returns from the dead to take revenge on three officers who betrayed his unit in battle.

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