
Take Aim at the Police Van
1960

1961
Director
Kihachi Okamoto
Runtime
73 minutes
Average Rating
No ratings yetSynopsis
Yuzo Kayama plays the protagonist, a whale-hunting cannon manufactuing supervisor, whose brother is an automobile tester for Komatsu Motors which has a fatal accident. As his brother investigates the "Accident" with his old college friend (makoto Sato), now a reporter... They stumble across murder, espionage and cover-ups. High-class night club, femme fatale, and a "Blueprint of Murder" all adds up to a bigger plot then first expected.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks any evidence of LGBTQ+ characters or non-cisnormative identities. The narrative focuses on a traditional crime framework centered around male protagonists.
Gender Representation
Female characters appear through the femme fatale trope, which often serves male agency rather than independent autonomy. The investigative drive remains firmly rooted in masculine roles.
Racial & Ethnic Diversity
As a 1961 Japanese production, the film reflects the homogeneous demographic reality of its era. It lacks specific details regarding multi-ethnic casting or minority representation.
Religious & Cultural Diversity
The story critiques institutional corruption within corporate and journalistic sectors. While it challenges systemic integrity, it remains grounded in traditional mid-century social structures.
Disability Representation
There is no mention of characters with physical, sensory, or neurodivergent disabilities. The cast and plot focus on standard crime and mystery archetypes.
Strengths
Areas for Improvement
AI Analysis
Blueprint of Murder is a genre-driven crime mystery that prioritizes plot complexity and institutional critique over diverse character representation. While the film offers a sophisticated look at corporate negligence and espionage, it adheres to the demographic and social conventions of 1960s Japanese cinema. The narrative relies heavily on traditional archetypes, such as the male investigator and the femme fatale. This structure reinforces mid-century gender roles and lacks intersectional depth. Ultimately, the film's strength lies in its exploration of systemic corruption rather than its ability to disrupt social hierarchies or provide diverse identity-based perspectives.
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.