
Flyfishing
2002

2010
Director
Yves Pelletier
Runtime
101 minutes
Average Rating
No ratings yetSynopsis
Benoit, an actor surviving on his barman wages, follows the advice of is his brother Frank - a former hockey player turned talent agent- and grows a beard to get a part in a dinner theatre play. Benoit's girlfriend Vicky, an ex dramaturge who now works as a librarian, finds it difficult to accept this latest development, as it will delay the couple's plan to purchase a condo from their friends Caro and Vincent, who manage a hair and beauty salon. But Benoit's beard seems to have magical powers: he suddenly has a great deal of success, while Vicky develops a mysterious allergy to her boyfriend's facial hair.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on a central heterosexual relationship between Benoit and Vicky. There are no explicit depictions of LGBTQ+ identities or non-heteronormative structures present in the narrative.
Gender Representation
Vicky provides a pragmatic counterpoint to Benoit's erratic behavior. Her background as a dramaturge and librarian suggests an intellectual agency that challenges traditional supportive female roles.
Racial & Ethnic Diversity
The story centers on a localized social circle without evidence of multiculturalism. The cast appears to lack visible intersectional diversity or intentional race-bending.
Religious & Cultural Diversity
The film critiques meritocracy through Benoit's magical beard and sudden success. It also explores the social pressures of economic stability and late-stage capitalism.
Disability Representation
The narrative contains no evidence of characters navigating physical, neurodivergent, or mental health conditions.
Strengths
Areas for Improvement
AI Analysis
Face Time is a character-driven absurdist comedy that prioritizes stylistic eccentricity over traditional narrative arcs. It succeeds in deconstructing conventional success stories by using surrealist elements to critique how superficiality often dictates professional achievement. However, the film lacks robust intersectional casting. The focus remains on a narrow, localized social group, which limits the breadth of its representation across racial and LGBTQ+ spectrums. Ultimately, while the film avoids idealized domestic tropes, it does not provide the explicit identity-based narratives necessary for a high progressive representation score.

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