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The Flood

Name: The Flood
Director: Ihor Minayev
Released: 1995
Duration: 99 min

Representation Score

3.1/10

Limited

1995

Director

Ihor Minayev

Runtime

99 minutes

Average Rating

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New Showbiz Analysis

The Flood is a somber, character-driven period drama that emphasizes psychological depth over demographic variety. It explores the erosion of domestic stability in post-revolutionary Russia through a localized lens. While the film lacks explicit LGBTQ+ or multi-ethnic representation, it excels in its nuanced portrayal of women's ability to drive the story. Sophia's efforts to navigate infertility and domestic instability offer a complex examination of gender roles. Ultimately, the film's strength lies in its critique of the idealized family unit, using the historical setting to challenge traditional social orders.

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Category Breakdown

Does The Flood have LGBTQ+ representation?

Minimal

The film centers on traditional heterosexual relationships between a husband and wife. There are no queer narratives or non-straight identities presented.

How does The Flood portray gender?

Fair

Sophia plays a significant role in driving the story by restructuring her household to save her marriage. She acts as the primary architect of the family's new social dynamic.

How racially and ethnically diverse is The Flood?

Fair

Set in 1920s Petrograd, the story reflects a homogeneous social environment typical of the time. The narrative suggests a lack of diverse backgrounds.

How does The Flood represent religion and culture?

Good

The film critiques traditional family structures by depicting the household as a shipwreck. It highlights the breakdown of social hierarchies in a post-revolutionary Russian context.

Does The Flood include disability representation?

Minimal

The narrative provides no information about physical or neurodivergent disabilities, making it impossible to assess.

Present on Screen

Sophia's character offers a nuanced portrayal of women's ability to drive the story and proactive decision-making.
The narrative effectively deconstructs traditional family structures through its shipwreck aesthetic.
The historical setting provides a meaningful critique of established social and institutional hierarchies.

Limited or Absent

The film lacks representation of LGBTQ+ identities or queer narratives.
There is no evidence of racial or ethnic diversity within the social environment.
The story does not address physical or neurodivergent disabilities.

Official Synopsis

This is 1920: Sophia and Trofim Ivanytch have been living on Vassilievski Island, which is part of Petrograd, for thirteen years. In their house, which looks like a ship wreck, the atmosphere is gloomy. Sophia cannot have children and she is aware that, because of that, she is likely to lose her husband. That is why, when their neighbor dies, she asks Trofim to take in Ganka, his orphaned thirteen-year-old daughter. Trofim agrees and their new life begins...

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