
Pokémon the Movie: Mewtwo Strikes Back - Evolution
2019

2013
TV-14Director
Yuzo Sato
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
One day, Kurapika spots a child who looks very similar to his childhood friend, Pyro. However, when he catches up to him, the boy steals Kurapika's eyes with some kind of magical power. Gon, Leorio, and Killua promise to help find who took his eyes and get them back, but Killua is having his own problems when he is forced to face his past and whether he really is worthy to have Gon as a friend.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The story centers on the platonic bond between Gon and Killua. While it avoids traditional heteronormative romantic tropes, it does not actively depict or promote non-cisnormative identities.
Gender Representation
Male characters hold the primary agency in this shonen-style adventure. Female characters appear in supporting roles without being subjugated, though the film does not seek to deconstruct gender hierarchies.
Racial & Ethnic Diversity
Diversity is expressed through speculative biology and supernatural species rather than human ethnic markers. The fantasy setting uses various cultural aesthetics without engaging in intersectional human racial dynamics.
Religious & Cultural Diversity
The narrative follows standard adventure tropes focused on personal growth and friendship. It avoids critiques of systemic institutions or religious structures, maintaining a stable moral framework.
Disability Representation
Supernatural abilities are treated as combat tools rather than explorations of physical or neurodivergent disability. The film avoids mockery but lacks a focus on characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
The film operates as a conventional genre piece, prioritizing high-stakes action and character-driven adventure over social critique. Its narrative structure is built around the central male protagonists and their personal journeys. While the work avoids harmful stereotypes or the subjugation of female characters, it lacks intentional subversion of systemic hierarchies. The diversity present is largely limited to speculative biology and supernatural elements rather than human identity. Ultimately, the film does not utilize intersectional identity or progressive social commentary as a pillar of its storytelling, remaining a standard entry within its genre.
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