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Rage of the Mummy

Rage of the Mummy

Representation Score

3.6/10

Limited

2018

Director

Dennis Vincent

Runtime

92 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Rage of the Mummy operates within the supernatural horror genre, providing a non-Western historical framework through its ancient Egyptian setting. However, the character dynamics remain conventional, lacking multi-layered depth or systemic critique. The film prioritizes traditional storytelling over progressive narrative subversion.

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Category Breakdown

Does Rage of the Mummy have LGBTQ+ representation?

Fair

The film centers on a supernatural conflict between occultists and a vengeful entity, with no visible representation of non-straight or non-cisgender identities.

How does Rage of the Mummy portray gender?

Limited

Female detectives Blake and Crawford offer a departure from typical male-centric roles, though their roles still adhere to conventional genre archetypes without challenging traditional masculine authority.

How racially and ethnically diverse is Rage of the Mummy?

Fair

Prince Horus-Kan’s inclusion provides a historical representation from an ancient Egyptian perspective, offering a break from Western-centric protagonists.

How does Rage of the Mummy represent religion and culture?

Fair

The story engages with Egyptian mythology and occultism, following traditional moral causality without critiquing systemic institutions or Western-centric values.

Does Rage of the Mummy include disability representation?

Minimal

The narrative does not include characters with physical, sensory, or neurodivergent disabilities.

Present on Screen

  • The ancient Egyptian setting offers a non-Western historical framework.
  • The inclusion of female detectives provides a slight departure from male-centric roles.

Limited or Absent

  • The narrative lacks complex, multi-layered character development.
  • There is no representation of LGBTQ+ identities or non-cisgender characters.
  • The film does not offer a meaningful critique of systemic or social institutions.

Official Synopsis

Defying an ancient curse, a group of occultists steal thirteen sacred relics from the tomb of Prince Horus-Kan in order to feed their supernatural powers. Now, the three thousand year old mummy prince must hunt down the stolen relics and bring deadly vengeance upon the perpetrators. For Detectives Blake and Crawford, the body count is piling up. Can they stop the mummy from his deadly rampage?

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