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Kingdom: Return of the Great General

Name: Kingdom: Return of the Great General
Director: Shinsuke Sato
Released: 2024
Duration: 146 min

Representation Score

6.5/10

Good

2024

Director

Shinsuke Sato

Runtime

146 minutes

Average Rating

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New Showbiz Analysis

Kingdom: Return of the Great General is a traditional epic that emphasizes historical world-building and martial achievements. It breaks away from Western norms through its East Asian setting and offers significant roles for women in military contexts. However, the film follows conventional structures regarding gender hierarchies and LGBTQ+ representation. The narrative centers on traditional values of statehood and duty, limiting its exploration of modern social complexities. While the scope of the conflict is broad, the portrayal of disability is primarily functional, focusing on the consequences of war rather than personal ability to act.

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Category Breakdown

Does Kingdom: Return of the Great General have LGBTQ+ representation?

Limited

The film focuses on martial prowess and military hierarchy without showing any non-cisgender identities or same-sex relationships, sticking to traditional heterosexual norms.

How does Kingdom: Return of the Great General portray gender?

Fair

Women play important roles in military and political settings, but the central leadership positions are mainly held by men, maintaining a traditional structure.

How racially and ethnically diverse is Kingdom: Return of the Great General?

Good

The movie avoids Western norms by showcasing a variety of ethnic and tribal identities, which represent complex social layers.

How does Kingdom: Return of the Great General represent religion and culture?

Fair

The story is set in an Eastern historical fantasy, emphasizing loyalty to the state and military honor. Morality is defined by duty and state survival rather than modern moral relativism.

Does Kingdom: Return of the Great General include disability representation?

Limited

Physical injuries are common, but the film does not explore disabilities through the lens of neurodivergence or personal ability to act.

Present on Screen

Includes women in key military and political roles.
Offers a non-Western perspective through diverse ethnic identities.
Avoids the typical white family unit seen in Western media.

Limited or Absent

Does not explicitly show LGBTQ+ identities or non-cisgender characters.
Leadership roles are predominantly filled by men.
Disability is used as a functional plot device rather than exploring personal ability to act.

Official Synopsis

Depicts a continuation of the "Battle of Mayang", an all-out war against the neighboring country Zhao that Shin and Wang Ki fought in in the previous work "Flame of Fate".

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