
The Smiling Madame Beudet
1923

Representation Score
Minimal
1919
TV-PGDirector
Germaine Dulac
Runtime
51 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Germaine Dulac’s *La Cigarette* functions primarily as a psychological study of jealousy rather than a vehicle for demographic representation. The film's value lies in its challenge to traditional domesticity and the deconstruction of stable masculinity through a protagonist driven by paranoia. While the narrative lacks diverse casting or ethnic representation, it offers a sophisticated look at individual psychological truth. The focus on a man's descent into self-destructive behavior challenges the era's standard depictions of virtuous, authoritative men.
Category Breakdown
The film focuses on a heterosexual marriage conflict between a husband and wife. There is no evidence of queer narratives or diverse gender identities.
The plot centers on a domestic power struggle. While the male lead drives the action, his paranoia undermines the traditional image of the stable patriarch.
Set in a Parisian museum, the narrative appears to focus on a homogeneous European social group. No racial or ethnic diversity is present.
The film explores moral relativism and subjective psychological reality. It prioritizes internal turmoil over communal or institutional religious morality.
There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
A Parisian museum director believes his wife is cheating on him and so places a poisoned cigarette in the box on his desk, thus allowing chance to decide the moment of his death.

1923

1938

1959

1931

1920

1928
1919

1927
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