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Allan Quatermain and the Lost City of Gold

Name: Allan Quatermain and the Lost City of Gold
Director: Gary Nelson
Released: 1986
Duration: 99 min

Representation Score

1.6/10

Minimal

1986

Director

Gary Nelson

Runtime

99 minutes

Average Rating

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New Showbiz Analysis

This adventure film adheres closely to its era’s conventions, relying heavily on established genre clichés. The narrative structure reinforces traditional hierarchies, especially concerning gender and Western-centric exploration. While the plot includes a critique of slavery through the depiction of white slaves, it does not aim to challenge systemic power structures. The film emphasizes individualistic pursuits and the classic explorer archetype over meaningful representation. Overall, the work remains rooted in colonial-era storytelling, offering little in the way of social or cultural subversion.

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Category Breakdown

Does Allan Quatermain and the Lost City of Gold have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or explore non-straight identities. It stays within a traditional framework focused on straight relationships.

How does Allan Quatermain and the Lost City of Gold portray gender?

Limited

The narrative focuses heavily on the male protagonist, Allan Quatermain. Female characters mainly support the male-driven expedition and have limited roles.

How racially and ethnically diverse is Allan Quatermain and the Lost City of Gold?

Limited

The film portrays African tribal characters using 1980s adventure clichés. It lacks nuanced explorations of identity and diverse backgrounds.

How does Allan Quatermain and the Lost City of Gold represent religion and culture?

Limited

The story upholds the traditional Western explorer mythos driven by the pursuit of wealth. It does not offer any critique of Western institutions or ideologies.

Does Allan Quatermain and the Lost City of Gold include disability representation?

Minimal

There are no prominent depictions of disabilities that influence the narrative or serve as significant character arcs.

Present on Screen

The film introduces a critique of slavery through the depiction of white slaves being mined by Lord Agon.

Limited or Absent

The film relies on traditional masculine leadership archetypes that limit women's roles.
Racial and ethnic portrayals follow dated 1980s adventure clichés rather than offering nuanced perspectives.
The narrative lacks any representation of LGBTQ+ identities or non-straight characters.
The story upholds a Western-centric explorer mythos without providing systemic or ideological critique.

Official Synopsis

After his brother Robeson disappears without a trace while exploring Africa in search of a legendary 'white tribe', Allan Quatermain decides to follow in his footsteps to learn what became of him. Soon after arriving, he discovers the Lost City of Gold, controlled by the evil lord Agon, and mined by his legions of white slaves.

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