The film lacks any evidence of LGBTQ+ characters or narratives. Its focus on political violence and wildlife slaughter prioritizes visceral imagery over identity-based studies.

As a montage of historical footage, the film lacks character depth to subvert gender hierarchies. Women do not appear to exercise agency amidst the macro-scale violence.

African populations receive significant visibility during decolonization. However, the Mondo style risks framing these subjects through a lens of chaos rather than providing nuanced agency.

The film disrupts Western narratives by documenting the violent dissolution of colonial structures. It presents a nihilistic view of post-colonial transitions and global upheaval.

There is no evidence that disability or neurodivergence are addressed. The focus on war and poaching provides no framework for meaningful representation in this category.