The film lacks explicit narratives centered on queer agency or non-cisnormative identities. Sexualized rituals are presented as ethnographic curiosities rather than character-driven explorations of identity.

The narrative relies on a Western gaze that uses nudity for shock value. Women are frequently framed as sexualized spectacles rather than agents capable of disrupting patriarchal structures.

While the film features a global, non-white majority cast, it often uses ethnic groups as subjects of spectacle. The representation provides visual breadth but lacks narrative depth.

The film excels by embracing moral relativism and situational ethics. It disrupts Western notions of moral superiority by presenting a decentralized, chaotic, and subjective global reality.

Depictions of physical or neurodivergent conditions appear to serve as elements of shock. There is a notable absence of characters with disabilities possessing meaningful narrative agency.