The film lacks visible representation of non-cisnormative identities or same-sex intimacy. In this era of ethnographic filmmaking, queer identities are often omitted or framed through a lens of otherness.

Women appear within their cultural contexts, but the narrative focuses on tribal survival and ritual. The film observes existing social structures rather than subverting traditional gender hierarchies.

The documentary centers on indigenous tribes in Africa and South America. While it provides a platform for non-Western subjects, the Mondo genre risks framing these people as spectacles.

By prioritizing non-Western spiritualities, the film de-centers Western secular frameworks. However, the focus on magic can lean toward exoticism, potentially reinforcing a sense of cultural otherness.

There is no information regarding the depiction of physical or neurodivergent disabilities within the film.