
Goodbye Mommy
2024

Representation Score
Good
2024
Director
Thea Hvistendahl
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Handling the Undead is a culturally specific exploration of Norwegian grief that prioritizes existential questions over demographic diversity. It deconstructs traditional social structures and the stability of the domestic sphere through a psychological lens. However, the film remains rooted in a traditionally homogeneous demographic context. The absence of racial diversity and non-straight or non-cisgender identities confines its representation to historically specific boundaries. Ultimately, the film excels in subverting traditional gender roles and using supernatural elements as metaphors for psychological trauma, despite a lack of overt representation of underrepresented groups.
Category Breakdown
The film centers on traditional families and restoring lost partners, without explicitly addressing non-straight or non-cisgender identities. It stays within conventional romantic storylines.
The movie disrupts traditional gender roles by examining the breakdown of masculine identities in the face of the supernatural. It portrays the home as a place of instability rather than order.
The cast reflects the homogeneous demographics of post-war Norway, with no indication of color-blind casting or significant racial diversity among main characters.
The film challenges moral order by presenting the undead as complex beings rather than monsters. It depicts the family unit as a site of chaos and psychological trauma.
The story uses grief and trauma as metaphors for invisible disabilities and sensory dissociation. However, there are no characters with specific physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?

2024

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