
I'm Going to Get You... Elliott Boy
1971

Representation Score
Minimal
1977
RDirector
Robert M. Young
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Short Eyes is a claustrophobic psychological drama that focuses on the breakdown of systemic order within a prison. While the film offers a sophisticated critique of institutional authority and the failure of Western legal structures, it lacks demographic breadth. The narrative is defined by a hyper-masculine environment that excludes female perspectives and LGBTQ+ identities. This creates a vacuum where traditional morality is replaced by situational ethics and raw power dynamics. Ultimately, the film functions more as a study of moral relativism than a diverse social portrait. It succeeds in challenging the efficacy of systemic control but remains demographically homogeneous.
Category Breakdown
The film is set entirely within an all-male correctional facility and does not include any LGBTQ+ characters or narratives addressing non-straight identities.
The narrative operates within a strictly patriarchal framework, reinforcing a traditional masculine archetype centered on aggression and excluding female perspectives.
The ensemble is predominantly white, reflecting the casting choices of the era. It lacks significant racial blending or characters of color with high ability to act.
The film deconstructs institutional authority by depicting legal and penal systems as incapable of maintaining order. It prioritizes moral relativism over traditional Western structures.
There are no central characters utilizing visible or invisible disabilities as a means of ability to act or identity.
Present on Screen
Limited or Absent
Official Synopsis
A young man who is charged with child molestation is placed in New York City’s infamous Tombs prison. When the other inmates in his cell block find out what he is charged with, life becomes extremely difficult for him.

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