
Too Beautiful to Die
1988

Representation Score
Fair
2017
Director
Ezequiel Endelman, Leandro Montejano
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Crystal Eyes stands out by placing women at the center of the narrative, showcasing their power and influence. The film disrupts traditional horror clichés by focusing on female-driven conflict and vengeance. While the film offers a fresh perspective with its localized, non-Western setting, it lacks explicit details about LGBTQ+ identities and specific racial demographics. The story uses its unique historical and cultural backdrop to explore the darker sides of glamour and fame.
Category Breakdown
The film's focus on the fashion industry creates opportunities for subtle LGBTQ+ themes. However, there are no clear confirmations of LGBTQ+ identities or relationships in the storyline.
Women play key roles in driving the plot, holding positions of professional authority and physical strength. The story focuses on female competition, rivalry, and revenge, breaking away from traditional male-dominated horror narratives.
Set in 1985 Buenos Aires, the film shifts away from typical Anglo-centric settings. Although specific ethnicities of the cast are not detailed, the Argentine setting provides a non-Western perspective.
The narrative examines the harsh realities of celebrity culture and capitalist structures within the fashion industry. It delves into the social complexities of post-dictatorship Argentina through its historical context.
There is no mention of characters with visible or invisible disabilities in the provided story details.
Present on Screen
Limited or Absent
Official Synopsis
Buenos Aires, 1985. It's the first anniversary of the death of Alexis Carpenter, the unstable supermodel who died tragically when she was set on fire while closing a runaway show. Lucia L'uccello - Editor-in-Chief of the most important magazine in Buenos Aires - chooses supermodels Eva Lantier and Irene del Lago to honor Alexis on the cover of the anniversary issues dedicated to the famous model. The night before the photo shoot, Alexis's original dresses that were going to be used by the models are stolen. From that moment, members of the important fashion magazine and the agency begin to disappear, one by one, at the hands of a stealthy, sinister female silhouette in a long black leather raincoat. Is someone seeking revenge? Or has Alexis returned from the grave?

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1988
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