
Jewel's Catch One
2017

2016
Not RatedDirector
Dana Flor, Toby Oppenheimer
Runtime
91 minutes
Average Rating
No ratings yetSynopsis
Fed up with being pushed around, a group of gay and trans teens of color form a gang and fight back on the brutal streets of Washington D.C. They call their gang ‘Check it’ and this group of one-time victims of bullying, rape and abuse have turned the tables on anyone trying to hurt them. The group formed to provide its members safety in numbers and let people know that if they jump a queer kid in D.C., they may get beaten into a coma. This raw and intimate portrait follows three childhood friends as they struggle to survive and claw their way out of gang life through an unlikely avenue: fashion.
Overall Score
Excellent
Category Breakdown
LGBTQ+ Representation
The film centers entirely on gay and transgender youth. It explores queer identity within high-risk environments, depicting the community through collective defense and solidarity rather than mere vulnerability.
Gender Representation
Significant platform is given to non-cisnormative gender identities. The narrative disrupts traditional hierarchies by showing trans individuals navigating hyper-masculine gang environments and defining themselves through fashion.
Racial & Ethnic Diversity
The cast consists of teens of color, making the intersection of race and sexuality central. It highlights how racialized identities navigate urban power dynamics in Washington D.C.
Religious & Cultural Diversity
The film portrays gang formation as a survivalist response to systemic failure. It critiques the efficacy of traditional institutions by framing these behaviors as necessary protection against oppression.
Disability Representation
There is no explicit evidence regarding the portrayal of physical or neurodivergent disabilities in the film.
Strengths
Areas for Improvement
AI Analysis
Check It is a powerful example of intersectional storytelling that avoids the trap of portraying marginalized subjects as mere victims. Instead, it presents queer youth of color as active agents who restructure their social reality through collective action and creative expression. The documentary effectively challenges societal hierarchies by validating the survival strategies used by those failed by state and social structures. By moving from defensive survival to the transformative pursuit of fashion, the film offers a sophisticated look at identity and agency. Ultimately, the work provides a nuanced critique of systemic pressures, using the specific subculture of Washington D.C. to explore how identity and survival intersect in high-stakes environments.

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