Believe It or Not (Second Series) #9
1932
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Representation score: 3.9 out of 10
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Believe It or Not #3
Representation Score
1.3/10
Minimal
1930
ApprovedDirector
Murray Roth
Runtime
8 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Believe It or Not #3 is a documentary-style travelogue focusing on Robert Ripley's investigations into global curiosities. Its structure emphasizes traditional journalistic methods from the 1930s, which prioritize the male perspective of the traveler. This focus limits the exploration of complex social identities. The film's structure adheres to the observational and often colonialist clichés common in early 20th-century newsreels, potentially reinforcing outdated perspectives rather than offering nuanced cultural representation. While the subject matter involves global geographies, the presentation may adhere to the observational and often colonialist clichés common in early 20th-century newsreels.
Category Breakdown
Does Believe It or Not #3 have LGBTQ+ representation?
The film does not include any characters who identify as LGBTQ+ or have non-traditional gender identities. It focuses on observational reporting rather than exploring personal identities.
How does Believe It or Not #3 portray gender?
The story primarily centers around Robert Ripley's male perspective. There is no indication of women having significant roles or challenging traditional gender norms.
How racially and ethnically diverse is Believe It or Not #3?
Although the film showcases travels across the globe, it is unclear if these depictions go beyond simple ethnographic observation. Early 20th-century travelogues often reinforced colonial perspectives.
How does Believe It or Not #3 represent religion and culture?
The film celebrates unusual phenomena and Western curiosity towards other cultures. It follows a typical mid-century journalistic style.
Does Believe It or Not #3 include disability representation?
The film does not depict any characters with disabilities playing significant roles or driving the narrative.
Present on Screen
- The film offers exposure to diverse global geographies through Ripley's travels.
Limited or Absent
- The film lacks women's ability to drive the story and focuses almost entirely on a male perspective.
- The travelogue format may reinforce colonialist perspectives rather than offering nuanced cultural representation.
- There is a complete absence of LGBTQ+ or disability-focused narratives.
Official Synopsis
Reporters interview Ripley about his world travels. Vitaphone No. 1053.
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