
Mobile Homes
2017

Representation Score
Fair
2013
Not RatedDirector
Aaron Mirkin
Runtime
20 minutes
Average Rating
No ratings yetNew Showbiz Analysis
We Are Not Here uses a vignette-based structure to explore life within a decaying, isolated town. Its primary strength is the intentional inclusion of LGBTQ+ identities, which disrupts the expectation of homogeneity in rural landscapes. While the film offers a multi-perspective look at a community in stasis, it lacks specific information regarding racial or ethnic diversity. The focus remains on the socioeconomic realities of a town waiting for progress. Ultimately, the film serves as a localized study of human connection and resilience amidst systemic neglect.
Category Breakdown
The film focuses on queer experiences by incorporating stories of gay teens and LGBT narratives. This approach challenges the typical assumption that everyone is straight or cisgender in rural settings.
The episodic vignette structure suggests a distributed portrayal of influence. This multi-perspective approach avoids a singular, dominant male storyline.
Specific details regarding the racial composition of the cast are unavailable. The setting of a derelict town may intersect with experiences of systemic neglect.
The narrative critiques systemic neglect and the decay of traditional infrastructure. It explores morality and survival within a community facing socioeconomic marginalization.
There is no evidence that physical disabilities, mental health conditions, or neurodivergence are central to the character arcs or plot vignettes.
Present on Screen
Limited or Absent
Official Synopsis
We Are Not Here is a short film about a small derelict town, waiting for a road. Through a series of vignettes we take a glimpse into the life of the town and its residents.

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