The film lacks explicit LGBTQ+ characters or depictions of non-heteronormative intimacy. While the aesthetic leans into camp and stylized artifice, there is no overt representation or identity-specific dialogue.

Women are presented as complex actors rather than submissive tropes. Madame D. wields significant economic agency, and Agatha serves as a vital moral and emotional anchor within the story.

Zero Moustafa provides a nuanced portrayal of the immigrant experience. As a refugee, he evolves from a protégé into a central driver of the plot within a Eurocentric setting.

The narrative critiques traditional Western institutions by portraying the rise of totalitarianism. It examines the fragility of aristocratic power and the corrosive nature of nationalist movements.

The film avoids using disability as a plot device or a source of mockery. However, it lacks prominent characters with visible or neurodivergent disabilities.