
The Haunting at Saint Joseph's
2023

2004
Director
Robert Pratten
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
When ambitious analyst Lincoln Mathers (played by Doug Cockle) relocates his family from New York to London, his wife Sarah (Sara Stewart) discovers a new disturbing power and becomes hostage to an ancient spirit. As Mathers notices that the family is tearing apart and that his wife's behavior becomes more violent and erratic, he accepts that to save the woman he married he must take a leap of faith. London Voodoo is one of the few films about voodoo to show the belief system in a positive light. Here, it's "work" that's evil. The film shows multicultural voodoo followers in a contemporary urban setting (London). As research for the script, the filmmakers travelled to Cuba, Miami and New Orleans to experience voodoo first hand.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The narrative focuses on a traditional nuclear family unit. There is no evidence of LGBTQ+ characters or themes regarding non-cisnormative identities.
Gender Representation
The plot centers on a wife seizing a disturbing power, subverting the stable spouse trope. However, this shift is framed through horror possession rather than empowerment.
Racial & Ethnic Diversity
The film features a multicultural voodoo community within a contemporary London setting. This approach provides agency to non-white practitioners in an urban Western environment.
Religious & Cultural Diversity
Voodoo is portrayed as a legitimate, multifaceted belief system rather than a monolithic evil. This challenges colonialist perspectives and Western-centric spiritual frameworks.
Disability Representation
There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within the film.
Strengths
Areas for Improvement
AI Analysis
London Voodoo distinguishes itself in the horror genre by treating its central spiritual theme with ethnographic respect. By moving voodoo from tropical stereotypes into a modern London landscape, the film successfully deconstructs racial and geographic expectations. The film's strength lies in its nuanced cultural architecture. It avoids the common pitfall of using non-Western religions as mere shorthand for evil, instead presenting a complex view of spiritual agency. However, the film remains limited by traditional genre tropes. The gender dynamics rely on the 'erratic woman' archetype, and the lack of queer representation keeps the social scope narrow.

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