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It's Not Me, It's Him

Name: It's Not Me, It's Him
Director: Pierre Richard
Released: 1980
Duration: 105 min

Representation Score

4.0/10

Limited

1980

Director

Pierre Richard

Runtime

105 minutes

Average Rating

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New Showbiz Analysis

The film functions as a traditional farce, centered on mistaken identity and escapism. It leverages social hierarchies and disrupted roles to create comedic tension, primarily through male-driven pursuits. While the film touches on racial identity through the theme of mistaken social status, it remains rooted in conventional structures. The narrative emphasizes men's control over the story and the pursuit of romantic desires, but lacks substantial exploration of gender empowerment or diverse representation beyond its central racial premise.

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Category Breakdown

Does It's Not Me, It's Him have LGBTQ+ representation?

Limited

The film deals with themes of infidelity and unstable relationships, particularly when an actor leaves his wife for a mistress. There is no clear indication of LGBTQ identities or non-straight relationships.

How does It's Not Me, It's Him portray gender?

Fair

The storyline revolves around male-centric conflicts, such as professional competition and marital jealousy. Women play supporting roles, acting as catalysts for male actions, like the wife and the mistress, Valerie.

How racially and ethnically diverse is It's Not Me, It's Him?

Fair

The film features Pierre Renard, a Black assistant who is mistakenly perceived as a white intellectual. This dynamic highlights issues of social perception and the fluidity of status based on appearance.

How does It's Not Me, It's Him represent religion and culture?

Fair

The story transitions from formal receptions to the Tunisian desert, emphasizing individualistic pursuits and personal desires over communal traditions or family stability.

Does It's Not Me, It's Him include disability representation?

Minimal

There is no mention of characters dealing with physical, sensory, or neurological differences in the narrative.

Present on Screen

The mistaken identity involving Pierre Renard offers a commentary on social perception and racial status.
The Tunisian setting introduces a non-Western perspective, providing a backdrop for diverse cultural experiences.

Limited or Absent

Women in the film have limited influence, serving mainly as plot devices to drive male-centered conflicts.
The narrative focuses on traditional romantic structures, offering little engagement with non-straight relationships or LGBTQ themes.

Official Synopsis

Pierre Renard is the blackboy of the writer George Vallier. At the time of a reception, the Italian actor Aldo Barazutti takes him for the writer and proposes to him to come to work with him in Tunisia with the development of a scenario. In fact Barazutti wants only to flee her wife to find her mistress Valerie. Misunderstandings when Vallier joined them. They must flee in the desert a jealous husband...

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