You are here:

Captive

Name: Captive
Director: Volodymyr Lert
Released: 2013
Duration: 71 min

Representation Score

2.3/10

Limited

2013

Director

Volodymyr Lert

Runtime

71 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Captive operates as a standard psychological thriller, emphasizing interpersonal conflict through a narrow lens of individual emotion. The film lacks visible evidence of diverse identities, including LGBTQ+ characters or non-white casting. It appears to follow traditional genre archetypes rather than challenging social or institutional norms. Without specific character arcs confirming ability to act, the narrative relies heavily on established clichés of aggression and victimhood.

Watch this, not that →

Category Breakdown

Does Captive have LGBTQ+ representation?

Fair

The film focuses on themes of jealousy and love within a traditional romantic thriller setting. It does not explicitly include queer identities or challenge the assumption that everyone is straight.

How does Captive portray gender?

Fair

The story revolves around a power imbalance between a killer and a captive. This setup might rely on conventional gendered clichés of victimhood and aggression.

How racially and ethnically diverse is Captive?

Minimal

The narrative does not provide any information about the ethnic composition of the cast. There is no evidence of non-white representation or cultural subversion.

How does Captive represent religion and culture?

Limited

The story functions as a character study centered on individual psychological states. It lacks systemic critiques or messages related to religious or secular institutions.

Does Captive include disability representation?

Minimal

The antagonist is described as crazed, which may use mental instability as a plot device. There is no nuanced exploration of neurodivergence or physical disability.

Present on Screen

The film provides a focused psychological study of intense emotional connections and the destructive nature of jealousy.

Limited or Absent

The narrative relies on conventional thriller clichés that may reinforce traditional gendered power imbalances.
There is a lack of visible representation regarding racial, ethnic, and LGBTQ+ identities.
The portrayal of a 'crazed' antagonist risks using mental instability as a mere plot device rather than a nuanced character study.

Official Synopsis

Three days alone with a crazed jealousy killer – enough time to see what we do with love, and what love does to us.

How are these scores produced? →