
Moolah
2011

Representation Score
Limited
1992
Director
Giorgi Shengelia
Runtime
88 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Big Exchange is a period piece centered on the volatility of systemic collapse during the 1961 monetary reform. Its narrative strength lies in its skeptical portrayal of state institutions and the chaos of economic transition. However, the film lacks modern multi-layered markers. The focus remains heavily on a masculine framework of survival and capitalistic ambition, leaving little room for diverse identity exploration. Ultimately, the work prioritizes social strata and situational ethics over demographic representation, making it a study of class rather than identity.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or narratives. The plot revolves around a male-centric crime-comedy dynamic involving three specific men.
The main roles are held by three male protagonists who navigate a socioeconomic crisis. Female characters do not play a significant role in driving the plot.
While the Soviet setting suggests a multi-ethnic population, the narrative focuses on class and economic status. It does not delve into ethnic diversity.
The story critiques institutional stability during monetary reform. Characters operate in moral gray areas to bypass state-mandated economic structures.
The synopsis does not mention characters dealing with physical, sensory, or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
USSR. The time of the monetary reform of 1961. One hundred rubles turned into ten overnight. But the reform did not affect copper money. Enterprising administrator of the Park of culture and recreation Prokhor Ignatievich, wanting to increase his capital, tries to exchange a big amount of money for small copper with the help of simple-minded driver Zhora Grakin and ex-convict Roland Babaskin...

2011

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