The film lacks any depiction of gender identity or sexual orientation. The skeletons function as an undifferentiated collective, precluding any exploration of non-cisnormative identities.

The narrative avoids traditional gender hierarchies by removing gendered identifiers entirely. While this prevents patriarchal reinforcement, the absence of gendered agency limits active subversion.

The cast consists entirely of non-human, skeletal entities. This avoids racial stereotyping but provides no platform for ethnic or racial representation within the setting.

The film presents a secular, aestheticized view of the macabre. It avoids promoting singular religious morality by focusing on rhythmic play rather than ritual.

There are no depictions of neurodivergence or physical disability. The skeletons move with high levels of physical coordination throughout the musical vignettes.