
Time Flies
1997
No Poster Available
Representation Score
Fair
2009
Director
Lewis Klahr
Runtime
15 minutes
Average Rating
No ratings yetNew Showbiz Analysis
False Aging is a formal experiment that prioritizes abstract textures and non-linear temporalities over conventional storytelling. It functions as a meditation on the self and the passage of time rather than a vehicle for demographic representation. The film's strength lies in its cultural subversion and its rejection of traditional narrative progression. By using a deconstructionist approach, it challenges the illusion of structured reality and systemic certainties. However, the work remains largely silent on specific identity-based social hierarchies. Its preoccupation with metaphysical concepts results in a lack of visible racial, ethnic, or gendered character arcs.
Category Breakdown
The film does not feature explicit LGBTQ+ characters or narratives. It focuses more on existential themes and the concept of time displacement rather than on interpersonal identity politics or specific depictions of non-straight relationships.
Gender dynamics play a secondary role to existential themes. The central metaphor of a small yellow bird shifts the focus away from human-centric hierarchies, providing little commentary on traditional masculinity or femininity.
The work lacks visible markers of racial or ethnic diversity. Its focus on metaphysical abstraction and the illusion of freedom favors a universalist, fragmented perspective over social identity.
The film challenges traditional Western storytelling through a psychedelic, counter-cultural aesthetic. It uses Jefferson Airplane’s music to question structured views of time and progress, favoring temporal relativism.
Themes of entrapment and the caged bird serve as metaphors for the human condition. There is no evidence of specific depictions regarding neurodivergence or physical disabilities.
Present on Screen
Limited or Absent
Official Synopsis
“False Aging expresses a sense of lost time, of not moving in step with the rest of the world. In one sequence Jefferson Airplane's Lather asks the question, ‘Is it true I'm no longer young?’ Time makes us prisoners locked in ourselves, like the a small yellow bird who slips behind the back of a playing card, then comes back out in front of it. In rapid alternation, they make a kind of thaumatrope, that spinning parlor trick that suggests a sense of movement in the flapping wings of a caged bird. Here the birdcage has been replaced by chance, underscoring the momentary illusion that the bird is free." - Genevieve Yue

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