You are here:

The Green Jade Statuette

Name: The Green Jade Statuette
Director: Lee Tso-Nam
Released: 1977
Duration: 91 min

Representation Score

3.2/10

Limited

1977

Director

Lee Tso-Nam

Runtime

91 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Green Jade Statuette is a genre-driven action film that relies heavily on established 1970s martial arts clichés. While it provides visibility for women through central characters, these roles often adhere to traditional archetypes rather than challenging gender hierarchies. The film operates within a culturally specific Hong Kong context, maintaining an ethnically homogeneous cast. It focuses on individual motivations like greed and survival rather than exploring complex social or multi-layered identities. Ultimately, the film functions as a localized crime drama. It lacks the progressive character arcs or systemic critiques found in more contemporary, diverse cinema.

Watch this, not that →

Category Breakdown

Does The Green Jade Statuette have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or explore non-straight relationships. The romantic dynamics between characters like Wu Kang and Madame Pearl reinforce traditional heterosexual relationships.

How does The Green Jade Statuette portray gender?

Fair

Female characters such as Madame Pearl and Kitty Meng Chui play important roles. However, they often fit into traditional female archetypes like the femme fatale or the allied prostitute.

How racially and ethnically diverse is The Green Jade Statuette?

Fair

The cast and setting are ethnically uniform, reflecting the Hong Kong production context. The film does not engage in cross-cultural casting or broader racial critiques.

How does The Green Jade Statuette represent religion and culture?

Limited

The storyline centers on localized corruption and greed involving a jade statuette. It emphasizes personal loyalty and situational ethics over broader institutional or systemic critiques.

Does The Green Jade Statuette include disability representation?

Minimal

There is no depiction of physical or neurodivergent disabilities in the narrative.

Present on Screen

Provides meaningful visibility for female characters in central, influential roles.
Features complex female characters like a powerful brothel owner.

Limited or Absent

Relies on traditional gendered archetypes like the femme fatale.
Lacks LGBTQ+ representation or non-straight relationships.
Maintains an ethnically homogeneous cast without cross-cultural engagement.

Official Synopsis

Meng Fei stars as a fighter-for-hire who seeks the jade statuette for an unidentified employer. Hu Chin plays the sexy femme fatale, Madame Pearl, who runs the local brothel, seemingly the center of the town's commercial life. Chi Kuan-Chun plays Wu Kang, the town boss, who is involved romantically with Madame Pearl and protects the brothel. Madame Pearl is in league with the bandits who stole the jade and is waiting for them to arrive in town. The very pretty Kitty Meng Chui plays a prostitute who becomes an ally of Meng Fei. Mysterious characters abound, including one elegant fellow who has the habit of placing a single rose on the bodies of fight victims, saying, "Even the dead love roses." Many other familiar faces are on hand as well.

How are these scores produced? →