
Feeling It
2022

2007
Director
Alberto Morais
Runtime
106 minutes
Average Rating
No ratings yetSynopsis
Greek Theo Angelopoulos traveling from Athens to Ostia, the Roman beach where Pasolini was killed. Far from there, in a Spanish train station, Víctor Erice wanders in an interview about the film resistance. And in Italy, Tonino Guerra, Ninetto Davoli and Nico Naldini lend his voice to the missing Passolini to close a historic triangle on film and solitude.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film centers on the legacy of Pier Paolo Pasolini, a vital figure in queer intellectual history. While it lacks contemporary LGBTQ+ character studies, it honors non-heteronormative cinematic legacies.
Gender Representation
The narrative focuses on a historical lineage of male directors and thinkers. It centers on a traditional patriarchal canon of European auteurism without visible female perspectives.
Racial & Ethnic Diversity
The work explores a pan-European identity across Greece, Spain, and Italy. It emphasizes transnational movement of ideas rather than multi-ethnic or non-Western representation.
Religious & Cultural Diversity
The documentary engages deeply with themes of systemic critique and intellectual dissent. It uses Pasolini’s legacy to interrogate established institutions and traditional historical narratives.
Disability Representation
The film does not feature any discernible focus on visible or invisible disabilities. The narrative architecture prioritizes cinematic philosophy over disability representation.
Strengths
Areas for Improvement
AI Analysis
This documentary functions as a meditative study of European auteur cinema, connecting figures like Angelopoulos, Erice, and Pasolini through shared Mediterranean geography. It prioritizes intellectual inquiry and the concept of 'film resistance' over conventional plot or demographic breadth. The film achieves progressive value through its commitment to challenging cinematic history and institutional structures. However, the subject matter remains deeply rooted in a traditional, male-dominated European intellectual canon. While the work offers significant cultural depth regarding systemic critique, it lacks the demographic variety found in contemporary ensemble works, focusing instead on a specific historical and geographic scope.

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