The surrealist setting of the Land of the Dead suggests a departure from heteronormative constraints. However, the narrative lacks explicit depictions of same-sex intimacy or non-cisnormative identities.

Princess Scarlet disrupts traditional hierarchies as a high-agency female protagonist. She avoids the submissive 'damsel' trope, instead navigating a violent, male-dominated political landscape to seek vengeance.

The film employs a culturally hybridized approach by transplanting a Danish tragedy into a Japanese animated framework. This blends Western literary traditions with Eastern cinematic sensibilities.

The film challenges traditional institutions by presenting an existentialist view of the afterlife. It critiques established monarchy and depicts the pursuit of vengeance as a survival necessity.

There is no explicit mention of characters with visible or invisible disabilities. While Scarlet experiences significant psychological trauma, it is not framed as a central disability-focused narrative.