Surviving Life (Theory and Practice)

The film focuses on the internal psyche rather than romantic dynamics. While it lacks explicit depictions of non-traditional gender identities, its surrealist approach avoids rigid assumptions about straight relationships.

The narrative subverts traditional ideas of masculinity and femininity by focusing on a vulnerable, fragmented protagonist. It treats the human form as a collection of grotesque biological processes rather than social roles.

The work emphasizes universalist, existential themes and the materiality of objects. It does not actively utilize diverse casting to challenge historical norms within this specific short format.

The film prioritizes secular, psychological inquiry over religious or patriotic frameworks. It critiques systemic stability by framing the ordered world of traditional society as mechanical and absurd.

The focus on the grotesque and tactile body engages with non-standard sensory experiences. It explores existence outside of typical cognitive frameworks without falling into the trap of inspirational stories.