
Archaon: The Halloween Summoning
2020

2021
TV-MADirector
Antonia Johnstone
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
A group of archaeology students awaken an ancient mummy. After being trapped in a time loop, the only way they can escape, is to defeat the mummy. As the body count rises, it seems the Mummy has to collect the souls of those who woke him to be able to walk the earth - for good.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit details regarding the sexual orientations or gender identities of the archaeology students. While horror tropes can sometimes explore non-traditional dynamics, there is no evidence of queer identities here.
Gender Representation
The story centers on a group of students facing a supernatural threat. While modern horror often grants female characters high agency, the film does not explicitly confirm the subversion of traditional masculine leadership roles.
Racial & Ethnic Diversity
The Egyptian setting provides a framework for non-Western elements, but the focus on archaeology students suggests a Western-centric academic lens. There is no evidence of high-agency characters of color.
Religious & Cultural Diversity
The plot follows a traditional struggle against an ancient evil. It lacks clear evidence of anti-colonialist or secularist critiques, leaning instead toward a standard individualistic survivalist narrative.
Disability Representation
The narrative provides no information regarding the inclusion of neurodivergent characters or individuals with physical or sensory disabilities.
Strengths
Areas for Improvement
AI Analysis
Rise of the Mummy operates as a standard genre-driven horror-fantasy. The narrative focuses heavily on the mechanics of a time loop and the survival of an ensemble cast rather than exploring complex social identities. The film relies on established tropes, such as the 'man vs. ancient evil' structure, which often prioritizes survivalist action over the deconstruction of systemic power dynamics. This results in a story that feels conventional rather than progressive. Ultimately, the film does not demonstrate a clear pattern of disrupting social hierarchies or prioritizing intersectional storytelling, functioning instead as a traditional supernatural thriller.
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