The film lacks LGBTQ+ characters and does not explore non-heteronormative identities. Interpersonal dynamics focus strictly on professional survival and the core expedition team.

Scarlett serves as the primary intellectual and tactical driver of the group. Her archaeological expertise grants her agency that often supersedes the male characters' authority.

The ensemble cast is predominantly Caucasian. The narrative fails to utilize the historical complexity of the Parisian setting to explore racial diversity or post-colonial themes.

The story uses moral relativism to force characters to confront personal sins. It focuses on individual psychological deconstruction rather than systemic or religious critique.

There is no intentional representation of visible or invisible disabilities. Psychological distress is framed as a reaction to the supernatural environment rather than lived experience.