You are here:

Going Steady

Name: Going Steady
Director: Boaz Davidson
Released: 1979
Duration: 87 min

Representation Score

1.4/10

Minimal

1979

Director

Boaz Davidson

Runtime

87 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Going Steady preserves the social norms of the mid-1950s rather than challenging them. The film adheres to the established order of the time, focusing on traditional romantic clichés and courtship practices. It presents a homogeneous social landscape without diverse perspectives, emphasizing the male experience of dating and fidelity. The narrative reinforces conventional gender roles and Western social structures, lacking modern social critique or representation.

Watch this, not that →

Category Breakdown

Does Going Steady have LGBTQ+ representation?

Minimal

The film centers on heterosexual relationships and does not include narratives that question this norm or feature characters whose gender doesn't match their assigned-at-birth status. There is no representation of LGBTQ+ identities.

How does Going Steady portray gender?

Limited

Female characters such as Tammy and Martha mainly drive the emotional development of the male protagonists. Their influence is significant but limited to supporting the male characters' journeys.

How racially and ethnically diverse is Going Steady?

Limited

The film depicts a largely uniform social environment with no indication of diverse ethnic backgrounds or multi-layered approaches to character representation.

How does Going Steady represent religion and culture?

Limited

The story upholds traditional Western social norms and 1950s-era courtship customs. It emphasizes a romanticized aesthetic without critiquing societal or institutional norms.

Does Going Steady include disability representation?

Minimal

There is no evidence of characters with physical or neurodivergent disabilities in the film.

Present on Screen

The film offers a genuine, nostalgic glimpse into the specific social customs and romantic aesthetics of the 1950s.

Limited or Absent

The film lacks racial and ethnic diversity, showing a very uniform social environment.
Gender roles are traditional, with female characters primarily serving as emotional catalysts for male leads.
There is no representation of LGBTQ+ identities or non-assuming gender matches what was assigned at birth characters.

Official Synopsis

It's the greasy 50's, and girls are still causing problems for the Lemon Popsicle boys! Benji falls head over heels in love with new girl Tammy but manages to ruin the relationship by pushing her to go all the way. Benji is the object of Martha's affections, even though she is dating Huey, and as usual Bobby is finding it hard to stay faithful to just one girl! Going Stead is set against a backdrop of sunlit beaches, moonlit nights... and Rock 'n' Roll!

How are these scores produced? →