The film lacks visible non-cisnormative identities or queer romantic arcs. The narrative focuses on group survival and the central figure of Carlos Trejo without queer subtext.

Characters function as traditional victims within a standard horror ensemble. There is no evidence of subverting gender hierarchies or portraying masculinity in non-traditional ways.

As a Mexican production, the film centers a non-Anglo-Saxon cast and cultural perspective. However, the narrative focuses on a relatively homogeneous social group.

The story engages with local Mexican folklore and supernatural retribution. It provides a departure from Western moral structures by rooting itself in specific cultural realities.

There is no evidence of characters with visible or invisible disabilities. Disability is not utilized as a narrative device within the film.