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General Cemetery

General Cemetery

2013

Director

Dorian Fernández-Moris

Runtime

90 minutes

Average Rating

No ratings yet

Synopsis

Set in Iquitos, the story follows Andrea (Airam Galliani), a 15-years-ago teenage girl, who suffers the death of his father. With the help of his friends from school, encourage her to contact him using the ouija. However, this triggers a series of terrifying events.

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Diversity & Representation

Overall Score

4.8/10

Fair


Category Breakdown

LGBTQ+ Representation

Limited

The film lacks explicit LGBTQ+ characters or narratives. The story focuses on a traditional teenage peer group without exploring non-heteronormative identities.

Gender Representation

Fair

Andrea serves as a female protagonist whose grief drives the plot. While centering female agency, the narrative follows a traditional coming-of-age structure.

Racial & Ethnic Diversity

Good

Set in Iquitos, Peru, the film utilizes a local cast and setting. This disrupts Western-centric horror tropes by reflecting South American regional demographics.

Religious & Cultural Diversity

Fair

The story engages with spiritualism through the use of a ouija board. It favors localized Peruvian settings over standard Western supernatural tropes.

Disability Representation

Minimal

There is no information regarding the inclusion of characters with physical, neurodivergent, or mental health disabilities.

Strengths

  • Strong geographic and cultural specificity by utilizing an Iquitos, Peru setting.
  • Disrupts Western-normative horror hegemony through a South American perspective.
  • Centers female agency by making a young woman's emotional journey the plot's driver.

Areas for Improvement

  • Lacks explicit representation of LGBTQ+ identities or non-heteronormative narratives.
  • Provides no visible inclusion of characters with physical or neurodivergent disabilities.
  • Does not overtly engage in the deconstruction of traditional social or gender hierarchies.

AI Analysis

General Cemetery serves as a meaningful regional contribution to the horror genre. Its primary value lies in its geographic specificity, moving the narrative away from Hollywood-centric tropes by rooting the story in Iquitos, Peru. While the film provides a female-centric lens through Andrea, it does not appear to subvert traditional gender hierarchies or engage deeply with complex identity politics. The representation remains largely centered on traditional social structures. Ultimately, the film's strength is its cultural grounding. By utilizing a non-Anglo-Saxon context, it provides a necessary diversification of the supernatural landscape, even if it lacks explicit LGBTQ+ or disability representation.

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