The film lacks any evidence of LGBTQ+ characters or non-heteronormative identities. The focus remains on the platonic comedic partnership between the protagonist and his sidekick.

The narrative is heavily male-centric, focusing on the outlaw and sidekick dynamic. There are no female characters present to subvert traditional gender hierarchies.

Anthropomorphic animal characters provide a form of color-blind casting. While this avoids explicit racial depictions, the film does not actively engage with diverse ethnic identities.

The story deconstructs Western morality by framing the hero as an outlaw. It uses absurdity to challenge the rigid moral binaries and traditional law of the frontier.

There is no evidence of characters with disabilities portrayed with agency. The slapstick genre carries a risk of using physical dysfunction for comedy.