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The Last House on Cemetery Lane

Name: The Last House on Cemetery Lane
Director: Andrew Jones
Released: 2015
Duration: 81 min

Representation Score

2.0/10

Limited

2015

Director

Andrew Jones

Runtime

81 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Last House on Cemetery Lane is a conventional supernatural horror film that relies heavily on established genre clichés, such as the isolated hero and the haunted manor. It does not attempt to challenge social hierarchies. The narrative structure is traditional, focusing on a male-led investigation into the past. This approach prioritizes atmospheric tension and individual struggle over incorporating diverse identities or critiquing societal norms. Ultimately, the film maintains a standard demographic and social framework. It lacks intentional efforts to integrate diverse identities or challenge the status quo of the horror genre.

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Category Breakdown

Does The Last House on Cemetery Lane have LGBTQ+ representation?

Minimal

The film focuses on a traditional romance between John and Cassie, which assumes both characters are straight and cisgender. It does not include any stories or characters that challenge traditional romantic norms.

How does The Last House on Cemetery Lane portray gender?

Fair

The story follows a male protagonist on a traditional hero's journey. While Cassie is a key figure, she mainly serves as a romantic interest rather than driving the plot forward.

How racially and ethnically diverse is The Last House on Cemetery Lane?

Limited

Set in a rural West Wales village, the film seems to rely on a homogeneous demographic. There is no indication of multicultural integration or diverse casting within the narrative.

How does The Last House on Cemetery Lane represent religion and culture?

Limited

The film uses a Western Gothic framework emphasizing historical legacies and traditional accountability. It does not critique Western institutions or cultural norms.

Does The Last House on Cemetery Lane include disability representation?

Minimal

There is no information available regarding characters with visible or invisible disabilities. Therefore, no assessment of disability representation can be made.

Present on Screen

The film effectively uses the Western Gothic framework to create atmospheric tension through historical secrets and supernatural elements.

Limited or Absent

The narrative lacks depth in representing diverse identities, relying on traditional romantic and gender roles.
The setting and character ensemble are homogeneous, missing opportunities for racial and ethnic diversity.
The protagonist's journey follows a standard hero's arc that does not challenge traditional masculinity or individual ability to act.

Official Synopsis

Screenwriter John Davies has grown tired of living in London and moves to an old manor house in a sleepy West Wales village to get out of the rat race. At first he enjoys himself, embracing the quieter pace of life and starting a relationship with his beautiful neighbour Cassie Konrad. But strange, unexplained occurrences begin to occur in the manor house. John discovers he is surrounded by a supernatural presence and begins to research the house's past, discovering secrets more terrible than he ever imagined. It is now up to John to right the injustices of the past and finally lay to rest the spirits which haunt the Last House on Cemetery Lane.

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