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The Highwaymen

The Highwaymen

Representation Score

1.1/10

Minimal

2019

R

Director

John Lee Hancock

Runtime

133 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Highwaymen operates as a traditional period piece that prioritizes historical accuracy over contemporary social critique. The narrative structure is built on established hierarchies of gender and race that mirror the 1930s era it depicts. While the film offers a nuanced look at public morality during the Great Depression, it lacks the intention to challenge the status quo. It remains a conventional biographical study of law enforcement. Ultimately, the film adheres to classic crime-drama clichés, offering a specific historical snapshot without disrupting traditional Western storytelling norms.

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Category Breakdown

Does The Highwaymen have LGBTQ+ representation?

Minimal

The film adheres to a structure that assumes everyone is straight or cisgender, typical of its 1934 setting. There are no depictions of queer identities or subtext in the narrative.

How does The Highwaymen portray gender?

Limited

The story centers around a masculine hierarchy focused on the Texas Rangers. Although Bonnie Parker is a key figure, her role is tied to a traditional romantic outlaw cliché.

How racially and ethnically diverse is The Highwaymen?

Limited

The cast is predominantly white, reflecting the demographics of the 1930s American South. There is a lack of meaningful representation that considers multiple aspects of identity within this white-centric social environment.

How does The Highwaymen represent religion and culture?

Fair

The film examines the tension between institutional authority and the folk hero status of outlaws. It serves as a procedural study of law enforcement during the Great Depression.

Does The Highwaymen include disability representation?

Minimal

There are no visible or invisible disability narratives integrated into the plot. Characters with disabilities are not used as narrative devices.

Present on Screen

  • Offers a nuanced look at public morality and outlaws during the Great Depression.

Limited or Absent

  • Lacks broad representation that considers multiple aspects of identity.
  • Does not challenge traditional gender hierarchies or provide diverse identity perspectives.
  • Fails to include any disability narratives or non-assuming gender matches what was assigned at birth identities.

Official Synopsis

In 1934, Frank Hamer and Manny Gault, two former Texas Rangers, are commissioned to put an end to the wave of vicious crimes perpetrated by Bonnie Parker and Clyde Barrow, a notorious duo of infamous robbers and cold-blooded killers who nevertheless are worshiped by the public.

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