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Fin de concession

Name: Fin de concession
Director: Pierre Carles
Released: 2010
Duration: 131 min

Representation Score

4.4/10

Fair

2010

Director

Pierre Carles

Runtime

131 minutes

Average Rating

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New Showbiz Analysis

Fin de concession is a specialized documentary that prioritizes systemic critique over individual identity politics. Its primary objective is the deconstruction of dominant power hierarchies and the investigation of media privatization in France. The film excels at challenging established Western corporate structures and state-sanctioned monopolies. It functions as a call to arms against institutional opacity and the automatic renewal of media concessions. However, the work lacks significant demographic representation. It offers little visibility for LGBTQ+, racial, or disability-related narratives, focusing almost exclusively on the socio-political mechanics of media ownership.

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Category Breakdown

Does Fin de concession have LGBTQ+ representation?

Limited

The documentary focuses on the structural mechanics of media privatization and concession renewals. It does not include any explicit LGBTQ+ character arcs or narratives addressing heteronormativity.

How does Fin de concession portray gender?

Fair

The narrative centers on a confrontation between the filmmaker and industry figures described as 'old dinosaurs' and 'young guardians.' Specific evidence of women's or men's roles in driving the story remains unconfirmed.

How racially and ethnically diverse is Fin de concession?

Limited

The film provides a localized critique of the French media landscape. It does not explicitly prioritize diverse racial or ethnic representation, focusing instead on domestic socio-political dynamics.

How does Fin de concession represent religion and culture?

Excellent

The film exhibits a strong alignment with themes of institutional critique. It challenges the legitimacy of Western corporate structures and the perceived corruption of media monopolies.

Does Fin de concession include disability representation?

Minimal

There is no information regarding the portrayal of physical or neurodivergent identities within this work.

Present on Screen

Strong institutional critique of Western corporate and state-sanctioned media monopolies.
Effective deconstruction of traditional authority and established power hierarchies.
Deeply intentional focus on systemic transparency and media ownership dynamics.

Limited or Absent

Lack of explicit representation for LGBTQ+ identities and narratives.
Minimal focus on diverse racial or ethnic representation within the French landscape.
Absence of engagement with physical or neurodivergent identity portrayals.

Official Synopsis

Pierre Carles questions the privatization of the leading French televisions channel : is it not scandalous that the TFI-Bouygues concession has been automatically renewed since 1987 ? Taking up the anti-television fight he initiated with "Pas vu Pas pris", his first film, he confronts the people responsible for the news who have always avoided tackling this taboo subject. But the investigation does not go as planned : the old dinosaurs and young guardians now how to handle this media critic. To find his "fighting spirit" again, Carles calls to arms his friends and changes methods : Henceforth, no more concessions !

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